竖版双拼原图转三维厚涂微景观插画

Create a vertical split-style image. The entire canvas is strictly vertically arranged, with the top half and bottom half heights accurately at 1:1, forming a clear split structure of "original photo × style translation."

Top half:
Directly display the original photo uploaded by the user and treat it as the unique source of subject reference.
The top half focuses on preserving core subjects such as people, pets, or animals from the original photo, retaining their most recognizable facial features, fur or hair color, posture, actions, clothing, accessories, expressions, and overall temperament.
Architecture, street scenes, interior structures, furniture, background decorations, etc., should not be the main subjects but exist only as auxiliary environments and can be appropriately weakened.
Maintain an overall realistic photo texture, natural lighting, and original shooting atmosphere, clearly showing that this is the original reference photo before style translation.

Bottom half:
Extract the most recognizable subjects, outlines, postures, and narrative relationships from the top photo, and reconstruct them into a 3D impasto oil painting style micro-landscape illustration poster.
Do not mechanically replicate the photo, but transform the subject into an exquisite, three-dimensional, touchable miniature landscape, reshaped with thick brushstrokes, color layering, and a sculpture-like sense of volume; preserve the core identity and key characteristics of the subject while moderately optimizing angles, proportions, and details to make it more suitable for a micro-landscape presentation.
The priority for the subject is the person, pet, or animal itself, not based on architectural style, and do not make buildings, furniture, or environments the main visual center.

The composition uses large areas of negative space + a centered or slightly off-center diagonal main axis. On a bright white textured paper surface, a touch of clear impasto color band related to the theme of the original photo supports the subject. This color band can be transformed into water, ground, paths, light bands, or abstract landscape slices; the subject interacts naturally with the color band, and reflections, ripples, light spots, or extended brushstrokes are added according to the content. The background retains only a small amount of impasto clouds, sun, mist, or natural imagery related to the subject's mood, forming a light and poetic spatial layer.

The painting language emphasizes impasto oil painting × miniature entity × clear light sense. Preserve obvious pigment accumulation, palette knife marks, undulating edges, paper texture, and a semi-manual sculpting feel; impasto is concentrated on water surfaces, clouds, color bands, and local highlights, making the subject both exquisite and three-dimensional, while having the material feel of real oil paint.

The color scheme extracts the brightest, most vivid, and most vital colors from the uploaded original photo for modulation, rather than average color sampling. Overall increase brightness and color purity, using clear sky blue, lake cyan, tender green, warm yellow, coral orange, peach pink, and other bright hues naturally derived from the original photo, forming a healing sense through refreshing warm and cold relationships. Use a large amount of pure warm white as breathing space, the main colors are distinct but not dazzling, and local warm orange, golden yellow, or pink can serve as sun-like highlight colors, giving the picture a sunny, vivid, warm, light, and vital color spirit. Avoid grayish, old, low-spirited Morandi-fication, dark brown filters, fluorescent colors, and cheap candy feel.

Minimal text intervention. A short title can be refined from the identity, emotion, or symbolic meaning of the subject in the photo, paired with a very small amount of subtext, numbers, or miniature notes. The text remains detailed, restrained, with ample white space, and can be cleverly arranged along the diagonal main axis, the edge of the subject, or large areas of blank space, like exquisite annotations in an art publication.

The overall presentation features a bright white background, vivid impasto, clear colors, miniature subjects, large areas of white space, and warm light, collectively forming a high-end healing temperament. Whether the subject in the top half is a person, pet, or animal, the bottom half should maintain a clear identity and vivid colors, avoiding grayish, dull, cartoon toy-like, plastic computer rendering feel, e-commerce feel, and template feel.

Overall requirements:
The bottom half must allow someone to recognize at a glance that it is a stylized reconstruction of the same subject in the top half.
Do not make scene architecture the protagonist, do not generate irrelevant second subjects, do not let the style relationship between the top and bottom parts break, and do not include unnecessary watermarks, logos, or long explanatory texts.

创作一张竖版上下双拼风格图像，整张画布严格纵向排版，上半部分与下半部分高度精准 1:1，形成“原始照片 × 风格转译”的清晰双拼结构。

上半部分：
直接展示用户上传的原图，并将其视为唯一主体参考来源。
上半部分重点保留原图中的人物、宠物、动物等核心主体，保留其最具识别性的脸部特征、毛色或发色、姿态、动作、服装、配饰、神态和整体气质。
建筑、街景、室内结构、家具、背景装饰等内容不要作为主要主体，只作为辅助环境存在，且可以适度弱化。
整体保持真实照片质感、自然光线与原始拍摄氛围，明确让人看出这是风格转译前的原始参考图。

下半部分：
从上半部分照片中提取最具识别性的主体、轮廓、姿态与叙事关系，重构为一张 三维厚涂油画风格的微景观插画海报。
不要机械复刻照片，而是将主体转化为精致、立体、可触摸的微缩景观，以厚涂笔触、色彩堆叠和雕塑般的体积感重新塑造；保留主体核心身份和关键特征，同时适度优化角度、比例与细节，使其更适合微景观式呈现。
主体优先是人物、宠物或动物本身，不以建筑风格为主，不把建筑、家具或环境做成主视觉中心。

构图采用大面积留白 + 居中或轻微偏心的斜向主轴。在明亮白色纹理纸面上，以一抹与原图主题相关的清透厚涂色带承托主体，这条色带可以转化为水面、地面、路径、光带或抽象风景切片；主体与色带自然交互，并根据内容加入倒影、波纹、光斑或延展笔触。背景仅保留少量厚涂云层、太阳、雾气或与主体情绪相关的自然意象，形成轻盈而富有诗意的空间层次。

绘画语言强调厚涂油画 × 微缩实体 × 清透光感。保留明显的颜料堆积、刮刀痕迹、起伏边缘、纸张纹理和半手工塑形感；厚涂集中在水面、云层、色带与局部高光，让主体既精致立体，又具有真实油彩的物质感。

配色从上传原图中提取最明亮、最鲜活、最有生命力的颜色重新调制，而不是平均取色。整体提高明度与色彩纯净度，采用清澈天空蓝、湖水青、嫩绿、暖黄、珊瑚橙、桃粉等由原图自然推导出的明快色相，通过清爽冷暖关系形成治愈感。以大量纯净暖白作为呼吸空间，主色鲜明但不刺眼，局部暖橙、金黄或粉红可作为阳光般的点睛色，使画面具有晴朗、鲜活、温暖、轻快、有生命力的色彩精神。避免灰脏、发旧、低沉莫兰迪化、暗褐滤镜、荧光色和廉价糖果感。

文字少量介入。可从照片中主体的身份、情绪或象征意义中提炼一个简短标题，并搭配极少量副文、编号或微型注释。文字保持细致、克制、留白充足，可沿斜向主轴、主体边缘或大面积空白巧妙排布，像艺术出版物中的精致标注。

整体呈现 明亮白底、鲜活厚涂、清透色彩、微缩主体、大面积留白与温暖光感 共同构成的高级治愈气质。
无论上半部分主体是人物、宠物还是动物，下半部分都应保持清晰身份与鲜活色彩，避免灰脏、沉闷、卡通玩具感、塑料感电脑渲染感、电商感和模板感。

整体要求：
下半部分必须让人一眼认出是上半部分同一主体的风格化重构。
不要把场景建筑做成主角，不要生成无关第二主体，不要让上下两部分风格关系断裂，不要多余水印、Logo 或解释性大段文字。