摄影与彩色玻璃对半分体海报

Please turn each photo I upload into an independent high-end design poster, no multi-image stitching, each photo output separately. The overall composition is 3:4 vertical, with the top and bottom regions strictly 1:1 height, each occupying 50% of the frame.

The upper part preserves the original photo, maintaining the subject's identity, structure, posture, realistic texture, natural lighting, and original color atmosphere, with only slight high-end color grading to give it the quality of an art magazine, independent publication, or exhibition image. To adapt to the aspect ratio, the environmental background can be naturally extended, but the subject must not be stretched, distorted, or changed. The upper part contains only the uploaded photo itself, using the original framing, without adding any text, borders, or graphics.

The lower part extracts the most recognizable scene, composition, and object positions from the photo, reconstructing them as a stained glass window: the entire scene is divided by lead strips into individual flat-painted colored glass pieces, with the sky, distant mountains, water surface, roofs, trees, etc., each occupying one or several pieces, their positions, sizes, and outlines corresponding one-to-one with the photo, with light shining from behind. Do not be realistic, do not draw details, use only the shapes and colors of the glass blocks to express.

Composition follows "one window, one whole scene": the stained glass window fills the lower half, surrounded by a dark window frame, with a small circle of very light milky white paper margin outside the window frame; the up, down, left, and right positions of objects are arranged exactly according to the original photo, and the visual center of gravity is the same; the lead strips are thin lines of dark gray near black, each glass piece varies in size, with large pieces for the sky and water, and small pieces for roofs, trees, and buildings; the entire image is controlled within two to three hundred glass pieces, do not break into powder.

Color matching extracts six to eight colors from the photo above, each converted into transparent, saturated glass colors; the same type of scenery is distinguished by shades within the same color family (e.g., several blues for the sky, several cyans for the water surface); light shines through from behind, the highlights of the glass blocks have a bit of warm light, overall bright.

Material is real stained glass: glass blocks have slight bubbles, ripples, and uneven light transmission, lead strips are slightly undulating dark metal strips with solder joints at the junctions, the window frame is dark wood or lead; no plastic feel, and no exaggerated halos.

Text appears in only one place: a line of small text centered along the bottom edge of the window frame, which is the all-caps English name of the location refined from the photo. Other than that, no text, letters, numbers, or logos appear in the image.

The overall presentation is a visual relationship of real photography × stained glass window, bright, transparent, restrained, and collectible. Avoid realistic landscapes, overly fragmented glass pieces, gradients, plastic feel, cartoon feel, commercial advertising copy, and template feel.

请将我上传的每一张照片分别制作成一张独立的高级设计海报，不多图拼接，每张照片单独输出。整体采用3:4竖版构图，上下两个区域高度严格1:1，各占画面50%。

上半部分保留原始照片，保持主体身份、结构、姿态、真实质感、自然光影和原有色彩氛围，仅进行轻微高级调色，使其具有艺术杂志、独立出版物与展览图像质感。为适配画幅，可自然扩展环境背景，但不得拉伸、扭曲或改变主体。上半部分只放上传的照片本身，沿用原有取景，不添加任何文字、边框或图形。

下半部分提取照片中最具识别性的场景、构图与景物位置，重构为一扇彩色玻璃窗：整张景被铅条分隔成一块块平涂的彩色玻璃，天空、远山、水面、屋顶、树等各占一块或几块，位置、大小和轮廓与照片里一一对应，背后透着光。不要写实，不画细节，只用玻璃块的形状和颜色来表达。

构图遵循“一扇窗、一整幅景”：玻璃窗占满下半部分，四周是一圈深色的窗框，窗框外留出一小圈极浅的奶白纸边；景物的上下左右位置完全照着原照片安排，视觉重心也相同；铅条是深灰近黑的细线，每块玻璃有大有小，大块用于天空和水，小块用于屋顶、树和建筑；全画控制在两三百块玻璃以内，不要碎成粉末。

配色从上方照片中提取六到八种颜色，每种都转成通透、饱和的玻璃色；同一类景物用同色系的深浅区分（如天空用几种蓝，水面用几种青）；光从背后透过，玻璃块的亮部带一点暖光，整体明亮。

材质是真实的彩色玻璃：玻璃块带轻微的气泡、波纹和不均匀的透光，铅条是略有起伏的深色金属条，交接处有焊点，窗框是深色的木或铅；不要塑料感，也不要夸张的光晕。

文字只出现在一处：窗框下沿居中的一行小字，是从照片提炼的地点的全大写英文名。除此之外画面中不出现任何文字、字母、数字或标志。

整体呈现真实摄影 × 彩色玻璃窗的视觉关系，明亮、通透、克制、有收藏感。避免写实的风景、过于碎的玻璃块、渐变、塑料感、卡通感、商业广告文案和模板感。