植物墨迹与大色块手绘插画风格

PHOTO → BOTANICAL INK & COLOR-BLOCK ILLUSTRATION Transform the uploaded photo into a stylish hand-drawn illustration inspired by botanical ink sketching combined with bold abstract color fields. Redraw the entire image. 100% illustration, 0% photography. PRESERVE THE ORIGINAL: Keep the original composition, main subject, pose, proportions, recognizable facial features if a person is present, hairstyle, clothing silhouette and important objects. Do not change the identity or basic structure of the scene. STYLE: Reinterpret the photo using a striking contrast between: • very fine black ink linework • delicate botanical-style contour drawing • large flat organic color shapes • small scattered color dots and rounded patches • generous untouched warm-white paper The illustration should feel handmade, artistic and slightly imperfect, like a drawing created with a fine black fineliner and broad marker strokes in a spiral sketchbook. LINEWORK: Draw the main subject primarily with thin, elegant black lines. Use flowing contour lines and fine parallel hatching to describe form, shadows, hair, clothing folds and important details. Avoid realistic rendering and smooth digital shading. Some areas should contain intricate black linework while others remain almost completely empty. COLOR PALETTE — CRITICAL: Analyze the uploaded photo and extract its most visually characteristic colors. Choose: • 2 dominant colors from the original image • 1 contrasting or complementary accent color derived naturally from the photo Use ONLY these selected colors together with black ink and warm white paper. Do not copy every color from the photograph. COLOR BLOCKS: Place large irregular organic color fields behind, around and occasionally partially across the subject. The shapes should look loosely hand-painted with broad markers: rounded blobs, imperfect circles, asymmetric patches and softly geometric forms. Do NOT precisely fill objects with color. Instead, allow the color blocks and black drawing to overlap independently, creating an intentional screen-print / sketchbook effect. Add a few much smaller colored dots or patches around the composition to create rhythm and balance. SUBJECT: The subject must remain clearly recognizable from the original photo, but translated completely into this graphic language. If a person is present, preserve recognizable facial proportions and characteristic features through economical black linework rather than realism. Use fewer lines on the face so it stays clean and readable. BACKGROUND: Strongly simplify the original background. Do not reproduce every background detail. Translate only a few important environmental elements into delicate black outlines. Replace most of the background with warm-white negative space and abstract color fields derived from the original photograph. COMPOSITION: Create an airy, asymmetric composition. Let some black contours extend beyond the color blocks. Let some colored shapes disappear behind the subject. Allow occasional color to cross the linework. The result should feel deliberately imperfect rather than digitally precise. PAPER: Warm white, slightly textured heavyweight sketchbook paper. Subtle visible paper grain. FINAL LOOK: modern botanical ink illustration, fine black fineliner, bold marker color blocks, limited photo-derived palette, organic abstract shapes, delicate hatching, lots of negative space, handmade sketchbook aesthetic, graphic but elegant, recognizable original subject. AVOID: photorealism, realistic digital painting, 3D rendering, smooth gradients, watercolor washes, colored outlines, overly detailed backgrounds, full-frame color, perfect geometric shapes, generic floral decorations, random colors unrelated to the uploaded photo, dense detail covering the entire image.

照片 → 植物墨水与色块插画
将上传的照片转换为一种时尚的手绘插画，其灵感源自植物墨水速写与大胆抽象色块的结合。重新绘制整个图像。100% 插画，0% 摄影。
保留原图：保留原始构图、主体、姿势、比例，如果有人物则保留可识别的面部特征、发型、服装轮廓和重要物体。不要改变场景的身份或基本结构。
风格：使用以下元素之间的显著对比重新诠释照片：
• 极细的黑色墨水线条
• 精致的植物风格轮廓绘制
• 大型扁平有机色块
• 散落的小色点和圆形色块
• 大面积留白的暖白色纸张
插画应具有手工感、艺术感且略显不完美，就像是在螺旋速写本上用黑色细线笔和宽大马克笔笔触创作的画作。
线条：主要使用优雅的黑色细线绘制主体。使用流动的轮廓线和精细的平行排线来描述形状、阴影、头发、衣服褶皱和重要细节。避免写实渲染和光滑的数字阴影。某些区域应包含错综复杂的黑色线条，而其他区域则几乎完全留白。
调色板 —— 至关重要：分析上传的照片并提取其最具视觉特征的颜色。选择：
• 2 种来自原图的主导颜色
• 1 种自然源自照片的对比色或互补点缀色
仅将这些选定的颜色与黑色墨水和暖白色纸张一起使用。不要复制照片中的每一种颜色。
色块：在主体后方、周围以及偶尔部分跨越主体的地方放置大型不规则有机色场。形状看起来应像用宽马克笔随意手绘的：圆润的斑点、不完美的圆形、不对称的色块和柔和的几何形状。不要精确地为物体填充颜色。相反，让色块和黑色绘图独立重叠，营造出一种刻意的丝网印刷/速写本效果。在构图周围添加一些更小的色点或色块，以创造节奏感和平衡感。
主体：主体必须能从原图中清晰辨认，但要完全转化为这种图形语言。如果有人物，通过精简的黑色线条而非写实主义来保留可识别的面部比例和特征。在面部使用较少的线条，使其保持整洁清晰。
背景：极度简化原始背景。不要再现每一个背景细节。仅将少数重要的环境元素转化为精致的黑色轮廓。将大部分背景替换为暖白色留白和源自原图的抽象色场。
构图：创造一种轻盈、不对称的构图。让一些黑色轮廓延伸到色块之外。让一些有色形状消失在主体后面。允许颜色偶尔越过线条。结果应感觉是刻意的不完美，而不是数字化的精确。
纸张：暖白色、略带纹理的重磅速写纸。细微可见的纸张纹理。
最终效果：现代植物墨水插画，黑色细线笔，大胆的马克笔色块，受照片启发的有限调色板，有机抽象形状，细腻的排线，大量留白，手工速写本美学，图形化但优雅，可识别的原始主体。
避免：写实主义、写实数字绘画、3D 渲染、光滑渐变、水彩渲染、彩色轮廓、过于详细的背景、满幅色彩、完美的几何形状、通用的花卉装饰、与上传照片无关的随机颜色、覆盖整个图像的密集细节。