新中式细线设色古诗词插画海报

[Classical Poetry] {Title, Author, Original Text}
[Core Scene] {Fill in or extracted by AI}
[Key Imagery] {Fill in or extracted by AI}
[Visual Relationships] {e.g., red apricots crossing the wall, dragonflies standing on lotus, shepherd boy pointing the way}
[Main Color Palette] {Fill in traditional Oriental color matching}
[Aspect Ratio] 9:16

Create a New Chinese-style fine-line colored decorative illustration poster based on classical poetry, transforming the scenery, actions, and emotions in the poem into an Oriental scene with a clear visual narrative.

Adopting a high-angle overlook, Oriental scattered perspective, and modern graphic composition. The tree crowns are soft, fluffy cloud-like color blocks with delicate powder-dotted textures on the edges, interspersed with slender, continuous ink-black branches inside. Architecture uses fine gongbi line drawing, blue-green tiles, warm white walls, and cinnabar red wooden structures.

Figures, animals, and plants use unified fine line drawing and flat coloring, with natural movements, accurate structures, and clear spatial relationships between subjects.

The ground and water surfaces are expressed with large areas of warm off-white negative space, supplemented by a small amount of ink shadows and simple fine lines. The composition changes flexibly according to the poem, highlighting core imagery while maintaining clear primary and secondary levels and an orderly density.

Colors use traditional Oriental color systems such as azurite, malachite, indigo, cinnabar, ochre red, and ivory white, with full and even coloring, matte and clean, preserving a slight paper texture.

Add a large warm white Chinese title, small vertical original poem verses, author's signature, and a few vermilion seals to form a complete Oriental cultural art poster.

Avoid realistic photography, 3D, anime, heavy ink wash, thick oil painting, complex backgrounds, excessive grain, and artificial aging.

The final presentation is a textbook-level fine illustration texture, combining Oriental aesthetics, poetic negative space, and a vivid visual narrative.

【古诗词】{标题、作者、原文}
【核心场景】{填写或由AI提取}
【关键意象】{填写或由AI提取}
【视觉关系】{如红杏越墙、蜻蜓立荷、牧童指路}
【主色调】{填写东方传统配色}
【画幅比例】9:16

根据古诗词创作一张新中式细线设色装饰插画海报，将诗中的景物、动作与情绪转化为具有明确视觉叙事的东方场景。

采用高位俯瞰、东方散点透视与现代平面构成。树冠呈柔软蓬松的云团状色块，边缘带有细腻粉末点染质感，内部穿插纤细连续的墨黑枝条。建筑采用精细工笔线描、青绿瓦片、暖白墙面与朱红木结构。

人物、动物和植物使用统一的精细线描与平面设色，动作自然，结构准确，主体之间的空间关系清楚。

地面与水面以暖米白大面积留白表现，辅以少量墨色阴影与简洁细线。构图根据诗词灵活变化，突出核心意象，保持主次清晰、疏密有序。

色彩采用石青、石绿、黛青、朱砂、赭红、象牙白等东方传统色系，设色饱满均匀、哑光干净，保留轻微纸本质感。

加入大幅暖白色中文标题、小型纵排原诗句、作者署名和少量朱印，形成完整的东方文化艺术海报。

避免写实摄影、3D、动漫、浓重水墨、油画厚涂、复杂背景、过度颗粒和人工做旧。

最终呈现教科书级精细插画质感，兼具东方美学、诗意留白与鲜明的视觉叙事。